Kim Cattrall continues to talk about Sex & The City, even after saying multiple times she will never be back as Samantha. So what say you DL, should Vertigo’s letter writing scene have been left on the cutting room floor, or does it deserve its inclusion in the final product of the film? by Anonymous
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I love reading DL for other posters’ insights on classic films. It also generates suspense, as the audience waits for the film’s protagonist to be clued in to the truth as well. Without this scene, Judy’s actions in the rest of the film in putting up with Scottie’s abuse would be absurd. To me, it isn’t meant to be a twist ending, it’s meant for us, the audience, to identify with and understand Judy and her motivations. I couldn’t disagree more and think that the letter scene is one of the most important in the film. Many on Twitter claim that it would have been better for the audience to learn of the truth at the climax of the film along with Scottie. There are those that claim that the reveal comes too soon and that it is clunky in its delivery, letting the air out of the film when there are still some 40 minutes left. Apparently there was even consideration of cutting it from the film in 1958. Reading through the internet and posts on Twitter, it seems that there is great debate about the letter scene in which we, the audience, learn the truth about Judy. It’s one of my absolute favorite films and holds up beautifully. I rewatched Hitchcock’s “Vertigo” after a recent visit to San Francisco. I think they called the cops cause they were coming toward the bus as I was getting off. She was then like, "Oh no, I get much more than $2.00 for my autograph."Īt that point, I got off the bus, rather than have to put up with the bitch. So I said, "If we all take up a collection to pay the $2.00 will you shut up."
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So then the black lady bus driver told her to either pay and sit her ass down or get off the bus, and she said, "I'm a little embarrassed financially."
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I mean who brags about being on a soap opera. The she said "But I was on 'Days Of Our Lives," and I just said, "OK just stop you're embarrassing yourself." So I said "If they were any good they wouldn't have needed TWO themes and your husband wouldn't have dumped you. Then she gives me some bullshit like 'No, I did it first but it didn't get released." Then she boasts about writing the "Facts of Life" and "Diff'rent Strokes" theme and emphasizes she had to do TWO versions of the "Facts of Life." That was only a number two hit and you stole it from Juice Newton." I was all like, "who the hell are you"? And she was all like, "I had a number one hit with "Friends and Lovers" and I said, "OK bitch you need to stop. and she was all like, "please, please no autographs."